breathing echoes

Poetry by Israela Wong

Aurora Borealis Autumn/Winter 2017

i.

the wolves watch with
glittering eyes

as they await
their midnight feast.

ii.

sometimes i wonder
if i am really human

beneath this bonepelt
sewn onto my shoulders.

iii.

i am only an observer,
taking notes before bedtime.

no one notices the black hole
forming in the back room.

iv.

the train arrives with its cargo
of children, all hollow-cheeked &

wrapped in faux fur. they
receive new names &

a number. form a line,
they are told.

/ 8
/ 8
/ 8
/ 8
/ 8
/ 8
/ 8
/ 8

“Dear Data is a year-long, analog data drawing project by Giorgia Lupi and Stefanie Posavec, two award-winning information designers living on different sides of the Atlantic.

Each week, and for a year, we collected and measured a particular type of data about our lives, used this data to make a drawing on a postcard-sized sheet of paper, and then dropped the postcard in an English “postbox” (Stefanie) or an American “mailbox” (Giorgia)!” —Dear Data


This is one of the most beautiful things I’ve seen in my entire life.

They’ve also published it as a 300-page book!!!

DOLLHOUSE

This poem is the dismembered limb of a house
left in ashes. The staircase hides a cello,

a chipped teacup and postcards of the beach—to be
read during the quiet of a snowstorm. The twenty year
old stacks of newspapers by the fireplace

contain a hidden message.

                                          Below the floorboards
a broken clock chimes twelve. Listen closely and

you will hear the lingering longings
        of a lonely / little girl.

I think the paradigm for a poem is DNA—that is, as much information as possible written into as little space as possible. It’s like writing code. There’s so much code in a tiny strand of DNA. And there should be tons of information in a poem. I don’t mean information from the phenomenal world alone. I mean spiritual information, emotional information, concrete information.
Li-Young Lee, interviewed by Paul T. Corrigan for Image Journal (via bostonpoetryslam)
I’ve tried my hand at all the genres, but the simple answer is: I don’t yet have the stamina for the long form. I dig the challenge of concision. That is, the sometimes volatile, sometimes vulnerable nature of working with highly pressurized language. It’s all very risky, poetry.
Marcus Wicker, interviewed by Ben Read for The Adroit Journal (via bostonpoetryslam)

Snare

Some people are like spiders, weaving webs
with words. Some draw them

  from their throats
                            like a snake that curls
  around their tongue, dripping
                            venom.

Others spin cotton candy, taffy,
poisoned apples drenched

  in caramelised sugar.